Neither Drums nor Trumpets
In 2025, Dance Reflections by Van Cleef & Arpels presents Neither Drums nor Trumpets by Pam Tanowitz in collaboration with the Royal Ballet and Opera as part of the Dance Reflections by Van Cleef & Arpels festival in London.
Juilliard New Dances
Pam returns to Juilliard for her third New Dances creation, this time in collaboration with musician and fellow 2024-2025 Arnhold Creative Associate Caroline Shaw on a new work that brings world premiere music and a distinct dance vernacular to the third-year class.
Encounters: Four Contemporary Ballets
In a new work expanding on her previous success with Dispatch Duet, Pam Tanowitz brings her trademark wit and light to turn the conventions of dance inside out.
Day for Night at Little Island
A new dance choreographed by Pam Tanowitz, examining relationships, nostalgia, and memory, stitched to the sounds and landscapes of Little Island.
The Royal Ballet @ Jacob's Pillow
THE ROYAL BALLET @ Jacob’s Pillow
US Premiere - Pam Tanowitz’s Secret Things
JULY 3-7, 2024
Performance Times: Wed 8pm | Thu 2pm and 8pm | Fri 2pm | Sat 2pm and 8pm | Sun 2pm
Ted Shawn Theatre
Click HERE for tickets & more information.
Photo by Alice Pennefather
New York City Ballet
NYCB’s Spring Season
featuring Pam Tanowitz’s
Gustave Le Gray No. 1 &. Law of Mosaics
John Luther Adams' Crossing Open Ground
John Luther Adams' Crossing Open Ground
Performances begin at 11:00 am and 4:00 pm on April 27, 2024 outdoors at Lincoln Center, ending at Josie Robertson Plaza. Tickets are not required. Just show up!
Juilliard x Lincoln Center Present the New York Premiere of John Luther Adams’ Crossing Open Ground
Composed by John Luther Adams
Directed and choreographed by Pam Tanowitz
Music directed by Nadia Sirota and Douglas Perkins
On Saturday April 27, in celebration of Earth Month, Juilliard and Lincoln Center present Crossing Open Ground, an outdoor work by John Luther Adams for winds, brass, and percussion. The piece, written for multiples of 40 musicians, will be performed across Lincoln Center’s 16-acre campus by an acoustic ensemble of Juilliard student and alumni musicians and dancers.
The event will be directed and choreographed by Pam Tanowitz and coached and co-music directed by Juilliard chamber music faculty member and Creative Associate at Large Nadia Sirota as well as Adams’ longtime collaborator percussionist Douglas Perkins.
Adams hopes his music will invite people to “slow down, pay attention, and remember our place within the larger community of life on earth.” Crossing Open Ground is a celebration of nature, life, and art as well as an opportunity to be present and engage with our surroundings.
In addition to Crossing Open Ground, Juilliard celebrates Earth Month throughout April with concerts, sponsored ecosystem restorations, and a new expansion of Ellen Reid SOUNDWALK Central Park that includes Lincoln Center and is presented by Juilliard.
Juilliard’s creative enterprise programming, including the Creative Associates program, is generously supported by Jody and John Arnhold and the Arnhold Foundation.
Crossing Open Ground was co-commissioned by the Aspen Music Festival and School and the Barry Lopez Foundation for Art & Environment.
If you have any questions about this event, please contact Guest Experience at 212-875-5456 or guestexperience@lincolncenter.org.
Photo by Kevin Yatarola
Hauser & Wirth - In Response: Choreographer Pam Tanowitz on ‘No One Thing. David Smith, Late Sculptures’
Hauser & Wirth - In Response: Choreographer Pam Tanowitz on ‘No One Thing. David Smith, Late Sculptures’
On the occasion of the exhibition 'No One Thing. David Smith, Late Sculptures’, and paying homage to David Smith’s interest in music and dance, please join us for a performance in response to the works on view with choreographer Pam Tanowitz, and dancers Marc Crousillat, Victor Lozano, and Maile Okamura.
Sculptor David Smith (1906 – 1965) was at his most experimental and prolific during the last five years of his life. ‘No One Thing: David Smith. Late Sculptures’ presents seven of the artist’s most important sculptures from these final years.
During this period, Smith deployed welding to newly monumental ends, integrated open space into his arrangement of planar forms and animated sculptural surfaces with paint in color combinations that transcended logic—all innovations that transgressed the norm, solidified his legacy and impacted generations of artists to come.
This event is free. However, due to limited space, reservations are required.
Photo of Pam Tanowitz with Primo Piano II (1962) in ‘No One Thing. David Smith, Late Sculptures’ Courtesy of Hauser & Wirth
Song of Songs @ NY City Center
Photo by Maria Baranova
Thursday, November 9th @ 7:30pm
Friday, November 10th @ 7:30pm
Saturday, November 11th @ 7:30pm
Spiritual and erotic, playful and mysterious, The biblical Song of Songs (also known as The Song of Solomon) is perhaps the greatest of all love poems—a hymn of yearning, steeped in images from the natural world. The poem’s unforgettable images of the natural world have inspired artists and lovers for millennia – indeed some scholars argue that the entire tradition of Western love poetry springs from its glorious verses. Now composer David Lang and Fisher Center resident choreographer Pam Tanowitz join forces to create a major new dance-theater performance based on this radiantly beautiful text. A collage of sound, song, and movement that reimagines ancient rituals of love and courtship, Song of Songs holds the sacred and profane threads of the Song in perfect balance.
Song of Songs
Choreography by Pam Tanowitz•Music by David Lang•Production Design by Reid Bartelme, Harriet Jung, Pam Tanowitz, and Clifton Taylor•Performed by Christine Flores, Zachary Gonder, Lindsey Jones, Brian Lawson, Victor Lozano, Maile Okamura, and Melissa Toogood (rehearsal director)•Music Performed by Emily Brausa (cello), Caleb Burhans (viola), Martha Cluver (soprano), Katie Geissinger (alto), and Yuri Yamashita (percussion)•Sound Design by Garth MacAleavey•Music Supervision by Caleb Burhans•Dramaturgy by Mary Gossy•Stage Management by Betsy Ayer
The Fisher Center is Pam Tanowitz’s artistic home. Song of Songs is a co-commission of the Fisher Center, Barbican London, UCLA’s Center for the Art of Performance, and the Brooklyn Academy of Music, with the support of Dance Reflections by Van Cleef & Arpels.
Commissioning funds for Song of Songs were provided by Jay Franke and David Herro, with additional support received from the O'Donnell Green Music and Dance Foundation, Judith R. and Alan H. Fishman, Amy and Ronald Guttman, Lizbeth and George Krupp, Virginia and Timothy Millhiser, and King’s Fountain. The Fisher Center on behalf of Pam Tanowitz Dance received a 2020 NDP Finalist Grant Award for Song of Songs, made possible by the New England Foundation for the Arts with funding from the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation, to address sustainability needs during COVID-19. Cocommissioning support for the music of Song of Songs was provided by Flagey (Brussels), The Los Angeles Opera, Company of Music (Vienna), and The Crossing (Philadelphia).
Song of Songs @ Barbican Centre
Photo by Maria Baranova
Wednesday, October 11th @ 8:15pm
Thursday, October 12th @ 8:15pm
Friday, October 13th @ 8:15pm
Saturday, October 14th @ 8:15pm
Spiritual and erotic, playful and mysterious, The biblical Song of Songs (also known as The Song of Solomon) is perhaps the greatest of all love poems—a hymn of yearning, steeped in images from the natural world. The poem’s unforgettable images of the natural world have inspired artists and lovers for millennia – indeed some scholars argue that the entire tradition of Western love poetry springs from its glorious verses. Now composer David Lang and Fisher Center resident choreographer Pam Tanowitz join forces to create a major new dance-theater performance based on this radiantly beautiful text. A collage of sound, song, and movement that reimagines ancient rituals of love and courtship, Song of Songs holds the sacred and profane threads of the Song in perfect balance.
Song of Songs
Choreography by Pam Tanowitz•Music by David Lang•Production Design by Reid Bartelme, Harriet Jung, Pam Tanowitz, and Clifton Taylor•Performed by Christine Flores, Zachary Gonder, Lindsey Jones, Brian Lawson, Victor Lozano, Maile Okamura, and Melissa Toogood (rehearsal director)•Music Performed by Emily Brausa (cello), Caleb Burhans (viola), Martha Cluver (soprano), Katie Geissinger (alto), and Yuri Yamashita (percussion)•Sound Design by Garth MacAleavey•Music Supervision by Caleb Burhans•Dramaturgy by Mary Gossy•Stage Management by Betsy Ayer
The Fisher Center is Pam Tanowitz’s artistic home. Song of Songs is a co-commission of the Fisher Center, Barbican London, UCLA’s Center for the Art of Performance, and the Brooklyn Academy of Music, with the support of Dance Reflections by Van Cleef & Arpels.
Commissioning funds for Song of Songs were provided by Jay Franke and David Herro, with additional support received from the O'Donnell Green Music and Dance Foundation, Judith R. and Alan H. Fishman, Amy and Ronald Guttman, Lizbeth and George Krupp, Virginia and Timothy Millhiser, and King’s Fountain. The Fisher Center on behalf of Pam Tanowitz Dance received a 2020 NDP Finalist Grant Award for Song of Songs, made possible by the New England Foundation for the Arts with funding from the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation, to address sustainability needs during COVID-19. Cocommissioning support for the music of Song of Songs was provided by Flagey (Brussels), The Los Angeles Opera, Company of Music (Vienna), and The Crossing (Philadelphia).
Dance On Camera Festival: I was waiting for the echo of a better day
A stunningly original dance for film, I was waiting for the echo of a better day unfolds from dawn to dusk on a single midsummer day, with dancers in electric blues and yellows weaving through the sumptuous, overgrown landscape of a historic Hudson Valley estate, overlooking the river and the Catskill Mountains. Inspired by the French New Wave, filmmaker Jeremy Jacob has created an intimate reframing of Pam Tanowitz’s angular and sensual choreography, originally developed for a live, outdoor performance at Bard College’s Montgomery Place Campus. The film features the dancers of Tanowitz’s company and music by composer Jessie Montgomery and her ensemble, Big Dog Little Dog.
Dance Films Association (DFA) and Film at Lincoln Center (FLC) present the 51st edition of the Dance on Camera Festival from February 10 to 13, 2023. The four-day festival features 13 programs with a total of 30 new films selected from over 290 submissions representing 35 countries. Dance on Camera, the longest-running dance film festival in the world, takes place at Film at Lincoln Center. The festival is programmed by the Dance Films Association.
A film by Jeremy Jacob
Choreography by Pam Tanowitz
Starring Jason Collins, Brittany Engel-Adams, Christine Flores, Zachary Gonder, Lindsey Jones, Victor Lozano, and Melissa Toogood
Cinematography by Daniel Rampulla
Music by Jessie Montgomery and Big Dog Little Dog
Costume Design by Reid Bartelme and Harriet Jung
Produced by Caleb Hammons and Jeremy Jacob
Executive Producer Gideon Lester
A Fisher Center at Bard and A Doll’s House Pictures Production
Walk With Me (Premiere), forever and ever and ever and ever (Premiere)
Photo by Maria Baranova
Part of Alice & John: A Coltrane Festival
Zellerbach Theatre
PLA Presents
Friday, October 14 @ 8 PM
Saturday, October 15 @ 2 PM
Saturday, October 15 @ 8 PM
Known for “sublime dance theater of the highest caliber,” Pam Tanowitz “has long been one of the most formally brilliant choreographers around.” (The New York Times) Following her debut on our stage as part of our 21/22 digital season, Tanowitz’ acclaimed company returns with two world premieres, including Walk With Me, our commissioned work set to the music of Alice and John Coltrane. With live music by saxophonist Lakecia Benjamin and her band, Pursuance, the piece sees Tanowitz choreographing to jazz for the first time. Her innovative twist on ballet and modern styles continues to shine in forever and ever and ever and ever, uniquely developed for our Zellerbach Theatre. “Pam Tanowitz's dances are a lot like diamonds: They dazzle with compositional brilliance.” (Dance Spirit Magazine)
Walk With Me (Premiere), forever and ever and ever and ever (Premiere)
Photo by Maria Baranova
Part of Alice & John: A Coltrane Festival
Zellerbach Theatre
PLA Presents
Friday, October 14 @ 8 PM
Saturday, October 15 @ 2 PM
Saturday, October 15 @ 8 PM
Known for “sublime dance theater of the highest caliber,” Pam Tanowitz “has long been one of the most formally brilliant choreographers around.” (The New York Times) Following her debut on our stage as part of our 21/22 digital season, Tanowitz’ acclaimed company returns with two world premieres, including Walk With Me, our commissioned work set to the music of Alice and John Coltrane. With live music by saxophonist Lakecia Benjamin and her band, Pursuance, the piece sees Tanowitz choreographing to jazz for the first time. Her innovative twist on ballet and modern styles continues to shine in forever and ever and ever and ever, uniquely developed for our Zellerbach Theatre. “Pam Tanowitz's dances are a lot like diamonds: They dazzle with compositional brilliance.” (Dance Spirit Magazine)
Walk With Me (Premiere), forever and ever and ever and ever (Premiere)
Photo by Maria Baranova
Part of Alice & John: A Coltrane Festival
Zellerbach Theatre
PLA Presents
Friday, October 14 @ 8 PM
Saturday, October 15 @ 2 PM
Saturday, October 15 @ 8 PM
Known for “sublime dance theater of the highest caliber,” Pam Tanowitz “has long been one of the most formally brilliant choreographers around.” (The New York Times) Following her debut on our stage as part of our 21/22 digital season, Tanowitz’ acclaimed company returns with two world premieres, including Walk With Me, our commissioned work set to the music of Alice and John Coltrane. With live music by saxophonist Lakecia Benjamin and her band, Pursuance, the piece sees Tanowitz choreographing to jazz for the first time. Her innovative twist on ballet and modern styles continues to shine in forever and ever and ever and ever, uniquely developed for our Zellerbach Theatre. “Pam Tanowitz's dances are a lot like diamonds: They dazzle with compositional brilliance.” (Dance Spirit Magazine)
Song of Songs (Premiere)
Photo by Maria Baranova
Spiritual and erotic, playful and mysterious, The biblical Song of Songs (also known as The Song of Solomon) is perhaps the greatest of all love poems—a hymn of yearning, steeped in images from the natural world. The poem’s unforgettable images of the natural world have inspired artists and lovers for millennia – indeed some scholars argue that the entire tradition of Western love poetry springs from its glorious verses. Now composer David Lang and Fisher Center resident choreographer Pam Tanowitz join forces to create a major new dance-theater performance based on this radiantly beautiful text. A collage of sound, song, and movement that reimagines ancient rituals of love and courtship, Song of Songs holds the sacred and profane threads of the Song in perfect balance.
Friday, July 1st at 8:00pm
Saturday, July 2nd at 5:00pm
Sunday, July 3rd at 2:00pm
Song of Songs
Choreography by Pam Tanowitz•Music by David Lang•Production Design by Reid Bartelme, Harriet Jung, Pam Tanowitz, and Clifton Taylor•Performed by Christine Flores, Zachary Gonder, Lindsey Jones, Brian Lawson, Victor Lozano, Maile Okamura, and Melissa Toogood (rehearsal director)•Music Performed by Emily Brausa (cello), Caleb Burhans (viola), Martha Cluver (soprano), Katie Geissinger (alto), and Yuri Yamashita (percussion)•Sound Design by Garth MacAleavey•Music Supervision by Caleb Burhans•Dramaturgy by Mary Gossy•Stage Management by Betsy Ayer
The 2022 SummerScape season is made possible in part by the generous support of Jeanne Donovan Fisher, the Martin and Toni Sosnoff Foundation, the Advisory Boards of the Fisher Center at Bard and Bard Music Festival, and Fisher Center and Bard Music Festival members. The 2022 Bard Music Festival has received funding from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature.
Commissioning funds for Song of Songs are provided by Jay Franke and David Herro, with additional support received from the O’Donnell Green Music and Dance Foundation, Judith R. and Alan H. Fishman, King’s Fountain, and Lizbeth and George Krupp. The Fisher Center on behalf of Pam Tanowitz Dance received a 2020 NDP Finalist Grant Award for Song of Songs, made possible by the New England Foundation for the Arts with funding from the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation, to address sustainability needs during COVID-19.
Song of Songs (Premiere)
Photo by Maria Baranova
Spiritual and erotic, playful and mysterious, The biblical Song of Songs (also known as The Song of Solomon) is perhaps the greatest of all love poems—a hymn of yearning, steeped in images from the natural world. The poem’s unforgettable images of the natural world have inspired artists and lovers for millennia – indeed some scholars argue that the entire tradition of Western love poetry springs from its glorious verses. Now composer David Lang and Fisher Center resident choreographer Pam Tanowitz join forces to create a major new dance-theater performance based on this radiantly beautiful text. A collage of sound, song, and movement that reimagines ancient rituals of love and courtship, Song of Songs holds the sacred and profane threads of the Song in perfect balance.
Friday, July 1st at 8:00pm
Saturday, July 2nd at 5:00pm
Sunday, July 3rd at 2:00pm
Song of Songs
Choreography by Pam Tanowitz•Music by David Lang•Production Design by Reid Bartelme, Harriet Jung, Pam Tanowitz, and Clifton Taylor•Performed by Christine Flores, Zachary Gonder, Lindsey Jones, Brian Lawson, Victor Lozano, Maile Okamura, and Melissa Toogood (rehearsal director)•Music Performed by Emily Brausa (cello), Caleb Burhans (viola), Martha Cluver (soprano), Katie Geissinger (alto), and Yuri Yamashita (percussion)•Sound Design by Garth MacAleavey•Music Supervision by Caleb Burhans•Dramaturgy by Mary Gossy•Stage Management by Betsy Ayer
The 2022 SummerScape season is made possible in part by the generous support of Jeanne Donovan Fisher, the Martin and Toni Sosnoff Foundation, the Advisory Boards of the Fisher Center at Bard and Bard Music Festival, and Fisher Center and Bard Music Festival members. The 2022 Bard Music Festival has received funding from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature.
Commissioning funds for Song of Songs are provided by Jay Franke and David Herro, with additional support received from the O’Donnell Green Music and Dance Foundation, Judith R. and Alan H. Fishman, King’s Fountain, and Lizbeth and George Krupp. The Fisher Center on behalf of Pam Tanowitz Dance received a 2020 NDP Finalist Grant Award for Song of Songs, made possible by the New England Foundation for the Arts with funding from the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation, to address sustainability needs during COVID-19.
Song of Songs (Premiere)
Photo by Maria Baranova
Spiritual and erotic, playful and mysterious, The biblical Song of Songs (also known as The Song of Solomon) is perhaps the greatest of all love poems—a hymn of yearning, steeped in images from the natural world. The poem’s unforgettable images of the natural world have inspired artists and lovers for millennia – indeed some scholars argue that the entire tradition of Western love poetry springs from its glorious verses. Now composer David Lang and Fisher Center resident choreographer Pam Tanowitz join forces to create a major new dance-theater performance based on this radiantly beautiful text. A collage of sound, song, and movement that reimagines ancient rituals of love and courtship, Song of Songs holds the sacred and profane threads of the Song in perfect balance.
Friday, July 1st at 8:00pm
Saturday, July 2nd at 5:00pm
Sunday, July 3rd at 2:00pm
Song of Songs
Choreography by Pam Tanowitz•Music by David Lang•Production Design by Reid Bartelme, Harriet Jung, Pam Tanowitz, and Clifton Taylor•Performed by Christine Flores, Zachary Gonder, Lindsey Jones, Brian Lawson, Victor Lozano, Maile Okamura, and Melissa Toogood (rehearsal director)•Music Performed by Emily Brausa (cello), Caleb Burhans (viola), Martha Cluver (soprano), Katie Geissinger (alto), and Yuri Yamashita (percussion)•Sound Design by Garth MacAleavey•Music Supervision by Caleb Burhans•Dramaturgy by Mary Gossy•Stage Management by Betsy Ayer
The 2022 SummerScape season is made possible in part by the generous support of Jeanne Donovan Fisher, the Martin and Toni Sosnoff Foundation, the Advisory Boards of the Fisher Center at Bard and Bard Music Festival, and Fisher Center and Bard Music Festival members. The 2022 Bard Music Festival has received funding from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature.
Commissioning funds for Song of Songs are provided by Jay Franke and David Herro, with additional support received from the O’Donnell Green Music and Dance Foundation, Judith R. and Alan H. Fishman, King’s Fountain, and Lizbeth and George Krupp. The Fisher Center on behalf of Pam Tanowitz Dance received a 2020 NDP Finalist Grant Award for Song of Songs, made possible by the New England Foundation for the Arts with funding from the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation, to address sustainability needs during COVID-19.
In Conversation: David (Director’s Cut)
An extended Through a reflective look at Godard’s Contempt, Principal Dancer David Hallberg dances in isolation in David, a film by Pam Tanowitz and Jeremy Jacob. Classical, modern, and quotidian vocabularies of dance are deconstructed and juxtaposed to make evident the tension between the external pose and the internal imaginary.
This screening will include a conversation between Pam Tanowitz and Jeremy Jacob, moderated by Melissa Toogood.
Choreography: Pam Tanowitz
Film: Jeremy Jacob
Performer: David Hallberg
Cinematography: Daniel Rampulla
Costume Design: Reid Bartelme and Harriet Jung
Duration: 10 min
A Doll’s House Pictures Production
David received its World Premiere as part of the ABT Today virtual gala on November 23, 2020.
In Conversation: I was waiting for the echo of a better day
The much anticipated World Premiere of a film by Jeremy Jacob. Set against the spectacular backdrop of the Hudson River and the Catskill Mountains, the film features the large-scale dance of the same name by Pam Tanowitz. Utilizing the full breadth of Montgomery Place’s historic parkland, I was waiting for the echo of a better day beckons us to question all that has grown in the shadows.
This screening will include a conversation between Pam Tanowitz and Jeremy Jacob, moderated by Melissa Toogood.
A film by Jeremy Jacob
Choreography by Pam Tanowitz
Starring Jason Collins, Brittany Engel-Adams, Christine Flores, Zachary Gonder, Lindsey Jones, Victor Lozano, and Melissa Toogood
Cinematography by Daniel Rampulla
Music by Jessie Montgomery and Big Dog Little Dog
Costume Design by Reid Bartelme and Harriet Jung
Produced by Caleb Hammons and Jeremy Jacob
Executive Producer Gideon Lester
A Fisher Center at Bard and A Doll’s House Pictures Production
Premiere: David (Director’s Cut)
An extended Through a reflective look at Godard’s Contempt, Principal Dancer David Hallberg dances in isolation in David, a film by Pam Tanowitz and Jeremy Jacob. Classical, modern, and quotidian vocabularies of dance are deconstructed and juxtaposed to make evident the tension between the external pose and the internal imaginary.
Choreography: Pam Tanowitz
Film: Jeremy Jacob
Performer: David Hallberg
Cinematography: Daniel Rampulla
Costume Design: Reid Bartelme and Harriet Jung
Duration: 10 min
A Doll’s House Pictures Production
David received its World Premiere as part of the ABT Today virtual gala on November 23, 2020.
Premiere: I was waiting for the echo of a better day
The much anticipated World Premiere of a film by Jeremy Jacob. Set against the spectacular backdrop of the Hudson River and the Catskill Mountains, the film features the large-scale dance of the same name by Pam Tanowitz. Utilizing the full breadth of Montgomery Place’s historic parkland, I was waiting for the echo of a better day beckons us to question all that has grown in the shadows.
A film by Jeremy Jacob
Choreography by Pam Tanowitz
Starring Jason Collins, Brittany Engel-Adams, Christine Flores, Zachary Gonder, Lindsey Jones, Victor Lozano, and Melissa Toogood
Cinematography by Daniel Rampulla
Music by Jessie Montgomery and Big Dog Little Dog
Costume Design by Reid Bartelme and Harriet Jung
Produced by Caleb Hammons and Jeremy Jacob
Executive Producer Gideon Lester
A Fisher Center at Bard and A Doll’s House Pictures Production
Premiere: New York City Ballet
Photo by Teresa Wood
Join us for the world premiere of Law of Mosaics, Pam Tanowitz’s newest work for New York City Ballet, as well as the return of Gustave Le Gray No. 1 to Lincoln Center!
Friday, April 22nd / Saturday, April 23rd / Friday, April 29th at 8:00pm
Sunday, April 24th / Sunday, May 1st at 3:00pm
Untitled New Work
Choreography: Pam Tanowitz
Music: Ted Hearne’s Law of Mosaics.
Costume Design by Reid Bartelme & Harriet Jung
Gustave Le Gray No. 1
Choreography: Pam Tanowitz
Music: Caroline Shaw’s Gustave Le Gray; Recording by Amy Yang
Costume Design: Reid Bartelme and Harriet Jung
Performers: Renan Cerdeiro, Lauren Fadeley, Stephanie Rae Williams, Anthony Santos
Dancing The Studio
Photo by Erin Baiano
From April to June 2022, Palazzo Grassi - Punta della Dogana presents ‘Dancing Studies’, a series of new performances created by a group of internationally-renowned choreographers, invited by Carlos Basualdo and Caroline Bourgeois - curators of the exhibition ‘Bruce Nauman: Contrapposto Studies’, currently on view at Punta della Dogana - to develop a project in dialogue with the work of Bruce Nauman and the show.
Dancing The Studio
Choreography: Pam Tanowitz
Performers: Christine Flores, Zachary Gonder, Lindsey Jones, Brian Lawson, Victor Lozano, Melissa Toogood
Visual Design: Jeremy Jacob
Costume Design: Matthiew Blazy for Bottega Veneta
Dancing Studies // A unique programme of performances inspired by the work of Bruce Nauman
2 - 3 April 2022, ‘MANUAL LABORS’ selected by William Forsythe
Teatrino di Palazzo Grassi - auditorium: screening of a selection of ‘52 Portraits’ by Francesca Fargion, Hugo Glendinning, Jonathan Burrows and Matteo Fargion
Teatrino di Palazzo Grassi - foyer: live performances of ‘Both Sitting Duet’, by Jonathan Burrows and Matteo Fargion, and ‘Table Music’ by Thierry De Mey, performed by Les Percussions de Strasbourg.
Punta della Dogana: ‘PARAPHRASE’ by William Forsythe
From 7 to 10 April 2022, ‘52 Portraits’ will once again be screened in the auditorium, whilst in the foyer, there will be screenings of two performances: ‘Table Music’ by Thierry De Mey and ‘Hands’ by Jonathan Burrows, Matteo Fargion and Adam Roberts.
Punta della Dogana: ‘PARAPHRASE’ by William Forsythe22 - 23 April 2022 ‘Sonatas and Interludes’ by Lenio Kaklea
, ‘Dancing the Studio’ by Pam Tanowitz
Teatrino di Palazzo Grassi16-19 June 2022: ‘In Proximity’ by Ralph Lemon
COSMO, Campo San Cosmo, Giudecca
The interventions by William Forsythe, Lenio Kaklea, Ralph Lemon and Pam Tanowitz will take place at different spaces in the Pinault Collection in Venice, as well as at COSMO, Campo San Cosmo, Giudecca.
Part of the costumes for the performances of Lenio Kaklea and the costumes for the performances of Pam Tanowitz are designed by Matthieu Blazy for Bottega Veneta, partner of Palazzo Grassi – Punta della Dogana for this program.
Premiere: New York City Ballet
Photo by Teresa Wood
Join us for the world premiere of Law of Mosaics, Pam Tanowitz’s newest work for New York City Ballet, as well as the return of Gustave Le Gray No. 1 to Lincoln Center!
Friday, April 22nd / Saturday, April 23rd / Friday, April 29th at 8:00pm
Sunday, April 24th / Sunday, May 1st at 3:00pm
Untitled New Work
Choreography: Pam Tanowitz
Music: Ted Hearne’s Law of Mosaics.
Costume Design by Reid Bartelme & Harriet Jung
Gustave Le Gray No. 1
Choreography: Pam Tanowitz
Music: Caroline Shaw’s Gustave Le Gray; Recording by Amy Yang
Costume Design: Reid Bartelme and Harriet Jung
Performers: Renan Cerdeiro, Lauren Fadeley, Stephanie Rae Williams, Anthony Santos
Premiere: New York City Ballet
Photo by Teresa Wood
Join us for the world premiere of Law of Mosaics, Pam Tanowitz’s newest work for New York City Ballet, as well as the return of Gustave Le Gray No. 1 to Lincoln Center!
Friday, April 22nd / Saturday, April 23rd / Friday, April 29th at 8:00pm
Sunday, April 24th / Sunday, May 1st at 3:00pm
Untitled New Work
Choreography: Pam Tanowitz
Music: Ted Hearne’s Law of Mosaics.
Costume Design by Reid Bartelme & Harriet Jung
Gustave Le Gray No. 1
Choreography: Pam Tanowitz
Music: Caroline Shaw’s Gustave Le Gray; Recording by Amy Yang
Costume Design: Reid Bartelme and Harriet Jung
Performers: Renan Cerdeiro, Lauren Fadeley, Stephanie Rae Williams, Anthony Santos
Premiere: New York City Ballet
Photo by Teresa Wood
Join us for the world premiere of Law of Mosaics, Pam Tanowitz’s newest work for New York City Ballet, as well as the return of Gustave Le Gray No. 1 to Lincoln Center!
Friday, April 22nd / Saturday, April 23rd / Friday, April 29th at 8:00pm
Sunday, April 24th / Sunday, May 1st at 3:00pm
Untitled New Work
Choreography: Pam Tanowitz
Music: Ted Hearne’s Law of Mosaics.
Costume Design by Reid Bartelme & Harriet Jung
Gustave Le Gray No. 1
Choreography: Pam Tanowitz
Music: Caroline Shaw’s Gustave Le Gray; Recording by Amy Yang
Costume Design: Reid Bartelme and Harriet Jung
Performers: Renan Cerdeiro, Lauren Fadeley, Stephanie Rae Williams, Anthony Santos
Premiere: New York City Ballet
Photo by Teresa Wood
Join us for the world premiere of Law of Mosaics, Pam Tanowitz’s newest work for New York City Ballet, as well as the return of Gustave Le Gray No. 1 to Lincoln Center!
Friday, April 22nd / Saturday, April 23rd / Friday, April 29th at 8:00pm
Sunday, April 24th / Sunday, May 1st at 3:00pm
Untitled New Work
Choreography: Pam Tanowitz
Music: Ted Hearne’s Law of Mosaics.
Costume Design by Reid Bartelme & Harriet Jung
Gustave Le Gray No. 1
Choreography: Pam Tanowitz
Music: Caroline Shaw’s Gustave Le Gray; Recording by Amy Yang
Costume Design: Reid Bartelme and Harriet Jung
Performers: Renan Cerdeiro, Lauren Fadeley, Stephanie Rae Williams, Anthony Santos
New Work for Goldberg Variations
Photo by Erin Baiano
Join us for the critically acclaimed New Work for Goldberg Variations at the Playhouse Square Mimi Ohio Theatre!
Deconstructing classical, formal and traditional movement vocabularies, New Work for Goldberg Variations mirrors and converses with Bach’s iconic score in a delightful interplay of rhythm, style and idiosyncrasy, shifting between encoded gestures and virtuosic dancing and demonstrating the rich emotional world lying beneath the poised surface of the Goldberg’s musical architecture.
Choreography: Pam Tanowitz
Performers: Maggie Cloud, Jason Collins, Christine Flores, Lindsey Jones, Maile Okamura, Melissa Toogood, Netta Yerushalmy
Music: Johann Sebastian Bach
Music: Performed live by Simone Dinnerstein
Lighting & Visual Design: Davison Scandrett
Costume Design: Reid Bartelme & Harriet Jung
Producer: Aaron Mattocks
New Work for Goldberg Variations was commissioned by Duke Performances / Duke University & Peak Performances / Montclair State University, co-commissioned by Opening Nights Performing Arts / Florida State University & Summer Stages Dance at the Institute of Contemporary Art/Boston & received creative development support from the Maggie Allesee National Center for Choreography (MANCC) at Florida State University, The Yard at Martha's Vineyard, the NYU Center for Ballet & the Arts & New York City Center. New Work for Goldberg Variations was made possible by the New England Foundation for the Arts' National Dance Project, with lead funding from the Doris Duke Charitable Foundation & The Andrew W. Mellon Foundation & support from the Mary Duke Biddle Foundation. General Operating support for Pam Tanowitz Dance was made possible by the New England Foundation for the Arts’ National Dance Project with funding from the Doris Duke Charitable Foundation.
New Work for Goldberg Variations
Courtesy La Biennale di Venezia / Andrea Avezzù
Join us for the critically acclaimed New Work for Goldberg Variations at the McCarter Theatre Center!
Deconstructing classical, formal and traditional movement vocabularies, New Work for Goldberg Variations mirrors and converses with Bach’s iconic score in a delightful interplay of rhythm, style and idiosyncrasy, shifting between encoded gestures and virtuosic dancing and demonstrating the rich emotional world lying beneath the poised surface of the Goldberg’s musical architecture.
Choreography: Pam Tanowitz
Performers: Maggie Cloud, Jason Collins, Christine Flores, Lindsey Jones, Maile Okamura, Melissa Toogood, Netta Yerushalmy
Music: Johann Sebastian Bach
Music: Performed live by Simone Dinnerstein
Lighting & Visual Design: Davison Scandrett
Costume Design: Reid Bartelme & Harriet Jung
Producer: Aaron Mattocks
New Work for Goldberg Variations was commissioned by Duke Performances / Duke University & Peak Performances / Montclair State University, co-commissioned by Opening Nights Performing Arts / Florida State University & Summer Stages Dance at the Institute of Contemporary Art/Boston & received creative development support from the Maggie Allesee National Center for Choreography (MANCC) at Florida State University, The Yard at Martha's Vineyard, the NYU Center for Ballet & the Arts & New York City Center. New Work for Goldberg Variations was made possible by the New England Foundation for the Arts' National Dance Project, with lead funding from the Doris Duke Charitable Foundation & The Andrew W. Mellon Foundation & support from the Mary Duke Biddle Foundation. General Operating support for Pam Tanowitz Dance was made possible by the New England Foundation for the Arts’ National Dance Project with funding from the Doris Duke Charitable Foundation.
Bartók Ballet at New York City Ballet
Photo by Erin Baiano
Join us for the return of Bartók Ballet, Pam’s first work for New York City Ballet, at Lincoln Center!
The ballet for 11 dancers is set to Béla Bartók’s String Quartet No. 5. It features costumes by Reid Bartelme and Harriet Jung and lighting by NYCB’s Resident Lighting Director Mark Stanley.
Tanowitz conceived the framework for Bartók Ballet as part of the Women’s Choreography Initiative at American Ballet Theatre in the Fall of 2017.
February 3, 2022 @ 7:30 PM
February 22, 2022 @ 7:30 PM
February 23, 2022 @ 7:30 PM
Choreography: Pam Tanowitz
Music: Béla Bartók’s String Quartet No. 5
Costume Design by Reid Bartelme & Harriet Jung
Lighting: Mark Stanley
Premiered: May 2, 2019, New York City Ballet, David H. Koch Theater
Original Cast: Indiana Woodward, Gretchen Smith, Sarah Villwock, Miriam Miller, Mira Nadon, Rachel Hutsell, Emily Kikta, Devin Alberda, Daniel Applebaum, Kennard Henson, Jonathan Fahoury. FLUX Quartet, guest musicians.
Bartók Ballet at New York City Ballet
Photo by Erin Baiano
Join us for the return of Bartók Ballet, Pam’s first work for New York City Ballet, at Lincoln Center!
The ballet for 11 dancers is set to Béla Bartók’s String Quartet No. 5. It features costumes by Reid Bartelme and Harriet Jung and lighting by NYCB’s Resident Lighting Director Mark Stanley.
Tanowitz conceived the framework for Bartók Ballet as part of the Women’s Choreography Initiative at American Ballet Theatre in the Fall of 2017.
February 3, 2022 @ 7:30 PM
February 22, 2022 @ 7:30 PM
February 23, 2022 @ 7:30 PM
Choreography: Pam Tanowitz
Music: Béla Bartók’s String Quartet No. 5
Costume Design by Reid Bartelme & Harriet Jung
Lighting: Mark Stanley
Premiered: May 2, 2019, New York City Ballet, David H. Koch Theater
Original Cast: Indiana Woodward, Gretchen Smith, Sarah Villwock, Miriam Miller, Mira Nadon, Rachel Hutsell, Emily Kikta, Devin Alberda, Daniel Applebaum, Kennard Henson, Jonathan Fahoury. FLUX Quartet, guest musicians.